Hey Lemonade: Branding that pops

In 2020, Elise McCann and Lucy Durack, two of Australia’s most bright and bubbly performers, found their industries shut down. Determined to not get sour, they were on a mission to create a pep-talk style app to nip small stresses in the bud.

The idea was to use two-minute pep talks to bolster mental health in young people. They needed a brand that would engage young people in simple mental health practices, as well as appealing to large corporates who might add it to their EVP.

 

INDUSTRY
  • Health and Wellbeing
CLIENT
  • Hey Lemonade
DISCIPLINE
  • Brand Strategy
  • Visual Identity
  • Digital Design
YEAR
  • 2022
Hey Lemonade: Branding that pops
Read project outline
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A full brand system, from mascot to co-branding, designed to engage young people and corporates alike.

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A fully integrated digital experience for Hey Lemonade, with user-focused interfaces and a scalable brand system across apps and platforms.

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A big thank you to Elise and Lucy for welcoming us into bringing their idea to life. We are grateful to have played a part in hero-ing the importance of mental health in young people.

CREDITS
Project Lead
Matt Tooker
Creative Direction
Sayaka Miyashita
App Design
Brendan Ridley
Graphic Design
Carla Moran
COLLABORATORS
Client Lead
Elise McCann

Client Lead
Lucy Durack

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Stanton Dahl Architects: Web design that heroes building design

We were approached by Stanton Dahl Architects to design a bespoke web experience, focusing on their key messaging of ‘Designing for the greater good. We were required to use the existing brand elements and extend their messaging and visual identity further in a digital space. Designing a unique website for architecture was an appealing challenge. The website needed to be minimal enough to showcase the building projects, but have enough warmth and creative personality to stay true to their brand.

INDUSTRY
  • Faith-based
  • Education
  • Aged care
CLIENT
  • Stanton Dahl Architects
DISCIPLINE
  • Brand Identity
  • UI Design
  • UX Design
  • Website Development
YEAR
  • 2024
Stanton Dahl Architects: Web design that heroes building design
Read project outline

We delivered a website that showcases their brand’s personality – by incorporating hero photography, stylised typography, playful graphic elements and pops of colour.

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We needed to create a website that was equally minimal enough to highlight architecture, and bold enough to stay true to the Stanton Dahl brand.

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It was a joy to work with Stanton Dahl on this bespoke website project, diving deeper into the architecture and community spaces industry. Shout out to Laura for her efficient project management between us and the Stanton Dahl team. We are incredibly thankful for her involvement in content collection and loading for the website.

→ See Stanton Dahl website here

CREDITS
Strategy & Production
Matt Tooker
Creative Direction
Clare Maxwell
UX Design & UI Design
Alyssa Sheridan
COLLABORATORS
User Experience & Content Lead
Laura Baker

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Library for All: Web design for innovation and aid

Library For All is on a mission to make sure every child can see themselves in the books they read. Their work is a beautiful, complex web of global authors, tech developers, and local communities. Our challenge was to take that complexity and turn it into a website that feels simple, inviting, and easy to navigate for everyone. We took their existing brand and evolved it into a vibrant digital world filled with bold colours and playful illustrations. By focusing on the Why, What, and How, we made it easy for stakeholders to understand their impact at a glance. The result is a site that is as innovative as the apps they build and as joyful as the stories they tell.

INDUSTRY
  • Aid and Development
  • Education
  • Children's Charity
CLIENT
  • Library for All
DISCIPLINE
  • Web Development
  • UI Design
  • UX Design
YEAR
  • 2023
Library for All: Web design for innovation and aid
Read project outline
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Our challenge was to put the amazing child-friendly design and innovation of their hardware and apps in front of their financial partners and supporters through their web experience.

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Thank you to Library for All for inviting us in on this project and for being open to adopting a new distinct design direction! It was fun to bring some of the joy and fun from your app built for kids – to your organisational branding.

→ See Library for All website here

CREDITS
Strategy and Production
Matt Tooker
User Experience Design
Clare Maxwell
User Interface Design
Alyssa Sheridan
User Interface Design
Carla Moran
COLLABORATORS
Client Lead
Daniel Belzer

Front-end Development
Nipun Tyagi

Front-end Development
Deepak Chaudhary

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Fair Supply: Print ads that make you stop

With new mandatory reporting standards that began on January 1st 2026, Australian boards faced a massive data challenge: greenhouse gas disclosures are no longer optional. We partnered with Fair Supply to launch a high-impact print campaign in the Australian Financial Review, as well as a digital campaign, positioning them as the essential partner for navigating this complexity. Our challenge was to cut through the noise and show leaders that while Scope 3 reporting is notoriously difficult, Fair Supply can deliver audit-ready results in weeks, not months.

INDUSTRY
  • Social Enterprise
  • Human Rights
  • Responsible Investing
CLIENT
  • Fair Supply
DISCIPLINE
  • Marketing Strategy
  • Editorial and Print
YEAR
  • 2025
Fair Supply: Print ads that make you stop
Read project outline

Our goal was to cut through the noise of a new regulatory landscape and show boards that compliance doesn’t have to be a manual burden.

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We built the creative around the ‘coming iceberg’ of emissions reporting, using bold print ads and animated digital ads to point company executives to what a defensible report actually looks like.

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We love working with Fair Supply in their efforts to help for-profit organisations to be a force for good in the world. The impact that large corporations can make by factoring their emissions, modern slavery and biodiversity footprint into their supply chain decisions is immense.

CREDITS
Strategic Direction
Matt Tooker
Graphic Design
Linda Widjaja
Copywriting
Naomi Jones
Account Management
Claire Bernard
Digital Animation
Ben Smith

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FareShare: Branding an inaugural giving day

FareShare provides nutritious meals to thousands of Australians via their charity kitchens, yet they often fly under the radar compared to larger food relief organisations. With their first-ever Giving Day on the horizon, FareShare saw a chance to not just raise vital funds, but to start a conversation that might shift the cultural narrative around food insecurity. Our challenge was to develop the campaign name, message, identity and experience. The goal was to engage new audiences, raise $100k in 12 hours, and provide a repeatable mechanism for future giving days.

INDUSTRY
  • Aid and Development
  • Health and Wellbeing
CLIENT
  • FareShare
DISCIPLINE
  • Fundraising Strategy
  • Visual Identity
YEAR
  • 2024
FareShare: Branding an inaugural giving day
Read project outline
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We built the campaign around a simple truth: Aussies look out for each other. If someone in your street needed a meal, you’d help.

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We’re thankful to the team at FareShare and SecondBite for giving us the opportunity to work on this project, and allowing us to try out creative ways to tell this important story to Australia.

CREDITS
Marketing Strategy
Matt Tooker
Creative Direction
Clare Maxwell
Graphic Design
Carla Moran

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Emu Music: A digital kit for church brands

Emu Music came to us with a vision to build the ultimate resource for church music teams, but they’d reached the limits of what their existing platform could handle. We stepped in to build Hymnbook 2.0 – a custom web app designed to house hundreds of songs and recordings in a way that’s simple and intuitive to navigate. Unlike other music databases where it can be easy to get lost, we focused on creating a curated experience that sets Emu apart by prioritising quality over quantity.

INDUSTRY
  • Faith-based
CLIENT
  • Emu Music
DISCIPLINE
  • Website Development
  • UI Design
  • UX Design
YEAR
  • 2025
Emu Music: A digital kit for church brands
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Our challenge was to design and build Hymnbook 2.0 – a brand new user experience that included more advanced functionality and capabilities than the first. 

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Thank you Emu for inviting us in on this project. We loved getting into the nitty gritty user experience flows, and making a tool that each of us musos at Cadence would truly want to use. Thanks also to James for working so hard on the Emu side to get all that data sorted and loaded!

→ See Hymnbook website here

CREDITS
UX Design
Clare Maxwell
Solution and UI Design, Development Lead
Brendan Ridley
UI Design
Carla Moran
Digital Production
Tahlia McLeod
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Client Lead
James McDonald

Front-end Development
Nipun Tyagi

Front-end Development
Deepak Chaudhary

Front-end Development
Joel Smith

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AFES: A national brand for local clubs

The Australian Fellowship of Evangelical Students (AFES) is a collective of 62 unique Christian Groups that meet on university campuses across Australia. Since COVID, fewer students are physically on-campus to attend their local group. AFES needed a brand that reflected their authority and trustworthiness. Our challenge was to unify these 62 different Christian groups under one banner without losing the local distinctiveness that makes each campus special. We set out to find a gap in the market for a brand that could feel warm and human, while remaining serious and intellectually credible – a true north to help students lift their eyes beyond the pressures of uni.

INDUSTRY
  • Faith-based
  • Education
CLIENT
  • Australian Fellowship of Evangelical Students
DISCIPLINE
  • Social Media Strategy
  • Brand Strategy
  • Brand and Logo
  • Visual Identity
YEAR
  • 2026
AFES: A national brand for local clubs
Read project outline
AFES Favicon
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Our role was to shape these insights into a clear brand platform that could act as a true north. We explored multiple positioning pathways, tested them with leadership, and refined them through successive rounds of feedback.

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Our goal was to create a brand that captured their credibility and relevance – and would make their groups instantly recognisable on campuses around the country.

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Thank you to AFES for trusting the branding process, and engaging so thoughtfully every step of the way. We’re particularly thankful to the project team who managed stakeholder engagement with great care – we felt like a part of your team, and could not have done this without you.

CREDITS
Brand Strategy & Creative Direction
Clare Maxwell
Digital & Marketing Strategy
Matt Tooker
Visual Identity Design
Clare Maxwell, Clare Potts
UI/UX Design
Linda Widjaja
COLLABORATORS
Project Manager
Murray Sinclair

Marketing
Andy Barras

Project Lead
Tony Rowbotham

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Scripture Union: Designing a flagship tax campaign

We collaborated with Scripture Union (SU) NSW to develop their EOFY fundraising strategy, focusing on critical youth work and support programs in public schools. To map the current landscape, we interviewed Scripture teachers, ministry workers, and student leaders. We learned that it’s increasingly difficult for students to hear the gospel in schools, and reduced funding is one of the contributing factors. Our goal was to create a strategy that moved beyond statistics to highlight the real, human stories unfolding on the ground. We needed a campaign that could mobilise a loyal donor base to protect opportunities for students talking openly about their faith.

INDUSTRY
  • Education
  • Children's Charity
  • Faith-based
CLIENT
  • Scripture Union
DISCIPLINE
  • Fundraising Strategy
  • Visual Identity
  • Illustration
  • Iconography
YEAR
  • 2024
Scripture Union: Designing a flagship tax campaign
Read project outline
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These students are truly the brave ones. By focusing on the ‘lights’ in the schoolyard, we helped SU NSW reach their ambitious fundraising target through a story of courage and resilience

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We thank the Scripture Union (NSW) team for their partnership in developing this successful fundraising campaign. We are especially grateful for David Krebs, the SU Schools Coordinator, who helped coordinate interviews and gave us insider access into SU’s ministry in schools. We extend our thanks to the staff and student leaders who shared their stories as part of our research and marketing.

CREDITS
Strategy
Matt Tooker
Creative Direction
Clare Maxwell
Campaign Strategy
Claire Bernard
Design
Alyssa Sheridan
Copy Writing
Naomi Jones
Illustration and Design
Carla Moran
COLLABORATORS
Client Lead
David Krebs




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Compassion: A local shoot with a global feel

Compassion tasked Cadence with launching their new app, Compassion Moments. This innovative platform allows sponsors and children to connect instantly through real-time photo sharing. Our goal was to capture the special emotional bond of a “shared moment” across thousands of miles. We aimed to show how technology fosters a sense of family, creating a campaign that felt both intimate and global. So even with a local shoot, the energy had to remain authentically international.

INDUSTRY
  • Aid and Development
  • Human Rights
  • Purpose Driven
CLIENT
  • Compassion
DISCIPLINE
  • Creative and Art Direction
  • Digital Design
  • Videography
YEAR
  • 2021
Compassion: A local shoot with a global feel
Read project outline
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We aimed to show how technology fosters a sense of family, creating a campaign that felt both intimate and global.

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It was a joy to partner with the Compassion team video campaign. COVID-19 meant we couldn’t shoot internationally, but thank you for trusting us, and for being open to a creative pivot that brought South Sudan, the Philippines, and Brazil to life right in our own backyard. We’re so grateful to help share the heart of the Compassion Moments campaign, and to celebrate the creativity, collaboration, and dedication that made it all happen.

CREDITS
Director
Rich Thompson
Producer
Anthea Godsmark
Production Assistant
Claire Bernard
BTS and Stills
Brendan Ridley
COLLABORATORS
DIrector of Photography
Bradley J. Conomy

Steadicam
Ryan Somerfield

Lighting and Camera Assist
Marcel Breed

Lighting and Camera Assist
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Christ Church Inner West: Visual identity for a multi-site church

Christ Church Inner West (CCIW) approached Cadence to develop a new visual identity that could unify three diverse sites and multiple congregations under one consistent brand. The Inner West is a unique melting pot of backgrounds and opinions, and CCIW wanted to demonstrate that they are a community integrated into this space, rather than separate from it. We worked with the CCIW community to unpack their common values, representing them through a bold new logo, color palette, and updated imagery.

INDUSTRY
  • Faith-based
CLIENT
  • Christ Church Inner West
DISCIPLINE
  • Visual Identity
  • Brand and Logo
  • Digital Design
  • Editorial and Print
YEAR
  • 2022
Christ Church Inner West: Visual identity for a multi-site church
Read project outline

By focusing on the themes of shelter and intersection, we created a visual language that reflects CCIW’s place in the Inner West, a unified brand that still leaves room for the unique character of each congregation.

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Our goal was to find a design style that each church location at CCIW could embrace, while retaining their own unique flavour.

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We couldn’t have developed the CCIW brand without the involvement of focus groups with church members, leaders, and staff. Thank you to each person who took time to sit with us and share their perspectives so willingly, and thoughtfully. Thank you also to Alison who rolled out this brand magnificently well – we love seeing it in the real world!

CREDITS
Creative Direction
Rich Thompson
Brand Strategy & Visual Identity Design
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Graphic Design
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